Category Archives: entertainment

Willie Edouin

Willie Edouin (1 January 1846[1] – 14 April 1908) was an English comedian, actor, dancer, singer, writer, director and theatre manager.After performing as a child in England, Australia and elsewhere, Edouin moved to America, where he joined Lydia Thompson’s burlesque troupe, performing with this company both in the U.S. and Britain. He returned to America in 1877, where, by 1880, he managed his own company. For over a decade, starting in 1884, Edouin managed theatres in London, particularly the Strand Theatre, producing and starring in comedies, farces and burlesques. From the 1890s, he appeared as the comic lead in several hit Edwardian musical comedies, including Florodora.Edouin was born in Brighton under the name William Frederick Bryer, the youngest of five children of John Edwin Bryer, an English dance instructor, and his wife Sarah Elizabeth (née May). He and his siblings played together in children’s shows in London and Brighton. By 1849, the children were appearing as “The Living Marionettes” in London in farces, ballets d’action, and extravaganzas.[3] In 1852 and 1854, the Edouin children played in pantomimes at the Strand Theatre. In 1857, Edouin’s parents took the family on a six-year tour of Australia, India, China and Japan. In 1863, Edouin and his sister Rose (later Mrs. G. B. Lewis of the Maidan Theatre, Calcutta) played in Fawcett’s stock company at the Princess’s Theatre, Melbourne, in burlesque.Edouin moved to the United States in 1869, where he first appeared with Laurence Barrett and John McCullough at the California Theatre in San Francisco. He soon became popular for his burlesques of popular plays and local celebrities. He made his New York debut in 1870 in The Dancing Barber as Narcissus Fitzfrizzle. Edouin next played the role of Murphy in Handy Andy with the Bryant’s Minstrels. In 1871, he joined Lydia Thompson’s burlesque company, as its leading male comedian, and met his future wife, Alice Atherton (1854–99), who was also appearing with the troupe. The couple had two daughters, Daisy and May, who also became actresses. Edouin played with Thompson for six seasons in burlesques, many of them by H. B. Farnie, of Bluebeard, The Princess of Trébizonde! St. George and the Dragon! The Forty Thieves, Lurline, Robin Hood, Mephisto and the Fourscore, and others. He earned particular praise in Robinson Crusoe, for his acrobatics and clowning as Friday, and in Bluebeard, for his portrayal of Chinaman Washee-Washee. He returned to England with Thompson in 1874 and repeated the latter role in London that year. Edouin continued to perform with the troupe both in London and on tour in Britain for three seasons.In 1877, Edouin returned with Thompson to New York. He soon appeared with Colville’s Folly Company, an American farce-comedy troupe, and then with E. E. Rice’s Surprise Party in pantomimes such as Babes in the Woods, The Lost Children, and Horrors. In 1880 he formed his own company, Willie Edouin’s Sparks, co-authoring and starring in a successful farce, Dreams. In 1881, Edouin purchased a photo gallery in the Philadelphia but sold it the following year.

Lawrence Barrett

(April 4, 1838 – March 20, 1891) was an American stage actor.  He managed the California Theatre in San Francisco.
He was born Lawrence Brannigan to Irish emigrant parents in Paterson, New Jersey. He made his first stage appearance at Detroit as Murad in The French Spy in 1853. In December 1856 he made his first New York appearance at the Chambers Street theatre as “Sir Thomas Clifford” in The Hunchback.
In 1858 he was in the repertory company at the Boston Museum. He served in the American Civil War as captain in Company B of the 28th Massachusetts Infantry regiment. However, he did not see action in any major battles. From 1867 to 1870, with John McCullough, he managed the California theatre, San Francisco.
Among his many and varied parts may be mentioned Hamlet, King Lear, Macbeth, Shylock, Richard III, Wolsey, Benedick in Much Ado About Nothing, Richelieu, David Garrick, Hernani, Alfred Evelyn, Lanciotto in George Henry Bokers (1823-1890) Francesca da Rimini, and Janies Harebell in The Man o’ Airlie.
He played Othello to Edwin Booth’s Iago and Cassius to his Brutus. He acted in London in 1867, 1882, 1883 and 1884, his “Cardinal Richelieu” portrayal in Edward Bulwer-Lytton’s drama being considered his best part. He wrote a life of Edwin Forrest in the American Actors Series (Boston, 1881), and an admirable sketch of Edwin Booth in Edwin Booth and his Contemporaries (Boston, 1886).
He was the grandfather of stage and screen actress Edith Barrett, the first wife of Vincent Price.

Professional Women

Hurdy-gurdy girls are not prostitutes.  They are Taxi Dancers in the basements of Hurdy Gurdy music joints.  They were paid .25c per dance, besides a treat.  If a man became enamored, as often happened after a few drinks, he gave her a bonus of five dollars, or ten or twenty. A saving girl could build a substantial estate out of these takings.

Mrs. Warren was an opulent madam.  Highly respected.

D Street girls, whores, smokes cigarettes, as did Mexicans.  Men smoked Havana cigars.  Germans smoked long pipes.  Chinese smoked opium in dens.

A reporter noted “a woman under the influence of liquor…perambulating on C Street … shaking a thousand dollars in gold coin at passersby” or ” a notorious courtezan, Josephine Dodge, also known as Buffalo Joe lying in the street dead drunk, surrounded by a crowd of spectators, her fingers and breast bedecked with diamonds”

Even the prostitutes gained civic renown, of various sorts: the scary “Buffalo Joe” Dodge, because she liked to duke it out with her professional rivals on the street; the British-born madam Julie Bulette, because she drove around in a gleaming carriage, prevailed on the city fathers to build clean cabins on D street for his daughters of desire, and decorated her own cottage, “Julie’s Castle,” with geraniums and roses.

A reporter noted “a woman under the influence of liquor…perambulating on C Street … shaking a thousand dollars in gold coin at passersby” or ” a notorious courtezan, Josephine Dodge, also known as Buffalo Joe lying in the street dead drunk, surrounded by a crowd of spectators, her fingers and breast bedecked with diamonds” Impromptu scuffles were so common as to be almost beneath notice.

Josephine Dodge, alias “Buffalo Jo,” a prominent trollop, was often in the public eye, bandying obscenities with street comer loafers, and being hauled off to jail dead drunk.

Juana Sanchez, known as “Sailor Jack,” was a fiery wench who took a pistol away from Jack Butler and shot him dead with it. Teamsters and others continually traded punches, as if for exercise. In a fist fight about some mail bag arrangement at Silver City yesterday, a stage driver’s little finger was broken by his antagonist’s nose coming in contact with it.